Ash Kerr_Circumstantial Contemplation and the life of birds

[if gte mso 10]> < ! /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} [endif] Circumstantial Contemplation and the life of birds is a series of photographic works created by contemporary artist Ashley Kerr. Kerr study on the Australian art school in Melbourne visual arts and this is his first exhibition in Germany.The use of Polaroid in Kerr’s work is a constant reminder of the physical nature of photography, a moment in the time that immediately becomes a composition, a tactile medium, a canvas. The images are based upon a sudden circumstance of emotions; ore need for frailties, susceptibilities, and desire. “the birds are my attempt at exploring and identifying a transmutation of the nurtured experience as a human implement, the finches serving as a vestigial reminder or the basic needs of living things being”.to the opening of the exhibition_09.01.2009 live jazz at 9 p.m. Galerie Eigenheim, Weimar